Wednesday, January 2, 2019

THE MAHAVAMSA ILLUSTRATED -PAINTINGS FROM A 12 th CENTURY MYANMAR TEMPLE BY DR HEMA GOONETILEKE PUBLISHED BY S. GODAGE AND BROTHERS (PVT) LTD 2019 REVIEWED BY HEMANTHA SITUGE



The magnum opus entitled:" The Mahavamsa Illustrated -Paintings from  a 12 th century Myanmar Temple" - by Dr Hema Goonetileke published by S Godage and Brothers was released recently.

This opus is dedicated to 'to  the monks of Sri Lanka and South -east Asia who over  the centuries for over one millennium traversed the oceans and difficult terrain to enrich each other's cultures'.

The foreword of the book is written by Emeiritus Professor Y. Karunadasa  and the introduction of the book is done by former Associate Professor of the University of Texas, Doanald M. Stadtner .

Dr Hema Goonetileke has turned aback in time embarking on a journey of historiography unfolds the pages of our epic Mahavamsa  tracing the indispensable role played by the avid monks of Sri Lanka and the East Asia  for  their  impact to strengthen the cultural ties in between Sri Lanka and Myanmar.

In the light of the publication:" The Mahavamsa Illustrated" this reviewer opines  that the contents of the book should be viewed through the contemporaneous epigraphic evidence  available on the  era such as Polonnaruva : Slab Inscription of the Velaikkaras ( circa 1137-1153 A. D.) Epigraphia Zeylanica Volume II  No 40 ( Reg. no 2) .from pages 242 to 255  Edited and Translated by Don Martino de Silva Wickramasinghe  London 1928 .

from pages 248-50 of this inscription Dimbulagala ( Udumbagiri ) Maha Kassapa is mentioned Goonetilke  asserts at page 94 in her opus. At page 253-4 of this inscription : " So His Majesty had Buddhist priest invited from Aramans [to Ceylon } , an [ with their aid ] effected the purification  of the Buddhist Order of the Nikayas [ fraternities] ".

The other epigraphic account is on the Devanagala Parwatha Inscription  by Parakramabahu the Great,  the description is found in the Report of the Kegalle District  XIX -1892  Archaeological Survey of Ceylon  by H. C. P. Bell  Colombo 1904 vide: pages 73 to 76 it is on the Burmese interactions of his times.

Dr Rev Polwatte Buddadatta Mahathera wrote a book titled: Kalyani Shila Lipi in Sinhalese deciphered the Kalyani inscriptions ,which was reprinted by Godage . This book would be a another book to re-examine the episode of Burma .

Another account on the History of the Burmese Sect in Sri Lanka ( Lakdiva Buruma Nikaye Ithihasaya ) in Sinhalese found from pages 37-49 written by the Dr Rev Polwatte Buddadatta Mahathero  published in Paranavitana Felicitation Volume edited by Prof  N. A. Jayawickrama Gunasena 1965  would be of some value that whet the curiosity of the reader.

Dr Malini Dias's 'Historical Relations of Ancient Sri Lanka and Myanmar published in the Ancient and Medieval Commercial Activities in the Indian Ocean' : Testimony of Inscriptions and Ceramic -shreds Report of the Taisho University Research Project 1997-200 Edited Noboru Karashima Taisho University 2002 pages 170-183  is another recent scholarly  study on the subject.

 It is the fervent view of this reviewer that  Prof' G. P. Malalasekera in his  splendid treatise entitled : 'The Pali Literature of Ceylon'[1928] Buddhist Publication Society 1994  at page 196-7 sheds light to hidden saga  of the the 12 th century  Mahawamsa paintings found in the Myanmar temple  Miyankaba Kubyaukgyi in Bagan .During the reign of King Parakramabahu 1 -the Great - a Burmese priest named  Elder Uthtarajeewa from Pagan  learnt the damma and sought upasampada -higher ordination from the celebrated  Mahaviharaya along  with his pupil the novice Chapata known in religion Saddammajothipala   .Thereafter four Sinhalese monks set foot to Myanmar together with him  and conducted Upasampada -the higher ordination- in Myanmar . Malalasekera has stated that this intercouse  as  the beginning of the lineage of- Sihala sangha - Sinhalese monks in Burma  thus it unravels the tangled skein hitherto existed.

The visit of these Sinhalese monks bear ample testimony to the fact how episodes of Mahavamsa has steeped in Burmese Buddhist culture that left the hallmark of imprint  by them at  this temple. The paintings are drawn by an unknown artist in Burma who  has associated  with the Myanmar Temple.

This reviewer could not trace any mode of departure cited  even in 'Sri lanka -Myanmar Historical Relations in Religion, Culture and Polity  by H. Goonetileke pp 77to 114 JRAS NS Volume LV , 2009 

The  scholarly treatise entitled:" Mahavamsa Ilustrated " ,is indeed a thought provoking book  for the researches to further delve into on  the significant religious intercourse as a landmark   of the past.   








 

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